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Berio's Sequenzas: Essays on Performance, Composition and Analysis From Routledge
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- Sales Rank: #4315449 in Books
- Published on: 2007-08-28
- Original language: English
- Dimensions: 9.21" h x .75" w x 6.14" l, 1.35 pounds
- Binding: Hardcover
- 338 pages
Review
'... contains much valuable, insightful commentary...' Studies in Musical Theatre '...the first serious contribution to the understanding of this very important part of Berio's compositional output...in addition to these specialist essays covering different aspects of confronting Berio's compositions and abounding in examples from the scores, statistical and graphical respresentation of the research results etc., the book offers an extensive bibliography on Berio and his work, listing of the editions of the Sequenza and the Chemins, a discography register and an index. As such, it surely represents a piece of inevitable literature for experts researching both Berio's work, and composition of the 20th century in general.' International Review of the Sociology and Aesthetics of Music '... a number of musicological fields - solo performance studies, later 20th-century aesthetics, issues of the work-concept - are all the richer for this stimulating volume.' Tempo
About the Author
Janet K. Halfyard is a senior lecturer at UCE Birmingham Conservatoire. Her research includes work on Luciano Berio, Cathy Berberian, extended vocal technique and performance practice issues in contemporary repertoire, and she is active as a performer with the contemporary music ensemble, decibel. Her publications also include work on film and television music: she is the author of Danny Elfman’s Batman: a film score guide (2004) in the Scarecrow Press Film Score Guide series and has contributed to European Film Music (2006) in Ashgate’s Popular and Folk Music series.
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